Figures, props, objects and other things
Philip Pearlstein

BORTOLAMI
39 Walker Street New York, NY 10013
T (212) 727–2050 F (212) 727–2060 e-mail:
8 March > April 27, 2024




Philip Pearlstein, Female Model on Deck Chair, 1978, Oil on canvas, 48 x 60 in (121 x 152.4 cm). Courtesy the Phillip Pearlstein Estate and Bortolami.
Bortolami Gallery is pleased to present a solo show by Philip Pearlstein (b.1924, d. 2022) featuring paintings, watercolors, drawings, and other works on paper spanning 1962 to 2018. For the first time, these works are exhibited alongside his encyclopedic collection which populated his paintings; from pre-Columbian and African sculpture to Mid-century furniture and Americana. This exhibition provides a concise history of Pearlstein's oeuvre and offers a fuller picture of this scion of contemporary American figurative painting.
Born in Pittsburgh, Pearlstein found early support for his artistic practice. After enrolling in Carnegie Institute of Technology (now Carnegie-Mellon University) in 1942, he was drafted into the Army, later finishing his studies in Pittsburgh, and moving to New York in 1949, where he shared an apartment with childhood friend Andy Warhol.
In New York, Pearlstein initially found inspiration in Abstract Expressionism, achieving critical success with his expressionistic landscapes, exhibiting at Tanager Gallery in the East Village and Peridot Gallery uptown. Yet as the 1950s progressed, Pearlstein grew disillusioned with the movement's parameters and having his work relegated to "second generation Abstract Expressionism." In 1958, he joined the drawing club organized by Mercedes Matter, which included the likes of Lois Dodd, Alex Katz, and Philip Guston, amongst others. It was here that Pearlstein began drawing figures from life.
Although the general turn to the nude figure marks the beginning of Pearlstein's signature subject, he cements his mature style in 1963-64. He began applying sharp cropping, close viewpoint, a subdued palette, manifold shadows created by fixed floodlights, and steady, flat brushstrokes. In the 1970s and '80s, Pearlstein's style, often contextualized within the larger New Realism movement, began to fully take shape as a mélange of the traditional elements of realist painting and his depictions of the depersonalized figure as object.
Born in Pittsburgh, Pearlstein found early support for his artistic practice. After enrolling in Carnegie Institute of Technology (now Carnegie-Mellon University) in 1942, he was drafted into the Army, later finishing his studies in Pittsburgh, and moving to New York in 1949, where he shared an apartment with childhood friend Andy Warhol.
In New York, Pearlstein initially found inspiration in Abstract Expressionism, achieving critical success with his expressionistic landscapes, exhibiting at Tanager Gallery in the East Village and Peridot Gallery uptown. Yet as the 1950s progressed, Pearlstein grew disillusioned with the movement's parameters and having his work relegated to "second generation Abstract Expressionism." In 1958, he joined the drawing club organized by Mercedes Matter, which included the likes of Lois Dodd, Alex Katz, and Philip Guston, amongst others. It was here that Pearlstein began drawing figures from life.
Although the general turn to the nude figure marks the beginning of Pearlstein's signature subject, he cements his mature style in 1963-64. He began applying sharp cropping, close viewpoint, a subdued palette, manifold shadows created by fixed floodlights, and steady, flat brushstrokes. In the 1970s and '80s, Pearlstein's style, often contextualized within the larger New Realism movement, began to fully take shape as a mélange of the traditional elements of realist painting and his depictions of the depersonalized figure as object.
ABOUT ARTIST : Philip Pearlstein Philip Pearlstein was born in Pittsburgh, PA, in 1924. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955.
Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York.
“It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.”
—Philip Pearlstein
https://philippearlstein.com/
CITY :NEW YORK NY
COUNTRY :USA
Philip Pearlstein 
Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York.
“It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.”
—Philip Pearlstein
https://philippearlstein.com/
CITY :NEW YORK NY
COUNTRY :USA


Gallery Opening Hours : Tuesday – Saturday 10am – 6pm and by appointment Summer Break 10 Aug – 14 Aug Summer Hours 29 May – 4 Sep Monday – Friday 10am – 6pm and by appointment
Opening reception :Friday, 8 Mar from 6 – 8 pm
mpefm U.S.A. art press release

Opening reception :Friday, 8 Mar from 6 – 8 pm
mpefm U.S.A. art press release
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