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H20


Spencer Finch

COHAN

291 Grand St, New York, NY 10002, Stati Uniti
TEL 212.714.9500 e-mail: This email address is being protected from spambots. You need JavaScript enabled to view it.

February 22 > March 30, 2024

SPENCER FINCH, Cloud (H2O), 2006, Light fixtures and LED light bulbs. Dimensions variable. Detail.
SPENCER FINCH, Cloud (H2O), 2006, Light fixtures and LED light bulbs. Dimensions variable. Detail.
James Cohan is pleased to present H2O, an exhibition of new and historic work by Spencer Finch, on view from February 22 through March 30, 2024, at the gallery's 291 Grand Street location. This is Finch's fifth solo exhibition with James Cohan. The gallery will host an opening reception with the artist on Thursday, February 22 from 6-8 PM.
Perception, the memory of visual phenomena, and the impossible attempts to precisely describe them are central to Spencer Finch's installation work. This exhibition centers on Cloud (H2O), 2005, one of the earliest examples of this important facet of the artist's practice. Hundreds of incandescent bulbs hang from the ceiling in a cloud-like formation, the bulbs functioning as models of the chemical formula of water - two hydrogen atoms and a single oxygen atom. Finch's translation of a cloud broken down into its chemical state hints at water's natural ability to exist in solid, liquid and gaseous states all at once, and serves as a potent reminder of the phenomenal possibilities of nature. Cloud (H2O) illustrates Finch's interest in the dichotomy between abstraction and representation, perception and imagination, physical and ephemeral. Like many of Finch's works, the installation presents an alternative notion of representation – one that is simultaneously scientific and symbolic.
In addition to this early Molecule light installation, H2O features a new textile work and a series of new drawings. Together, these works deepen Finch's investigations into light, reflection, water, and the impermanence of human perception.

ABOUT ARTIST : Spencer Finch
Spencer Finch pursues the most elusive and ineffable of experiences through his work— from the color of a sunset outside a Monument Valley motel room to the afternoon breeze by Walden Pond, the shadows of passing clouds in the yard of Emily Dickinson’s home or the light in a Turner painting.
With both a scientific approach to gathering data and a true poetic sensibility, Finch’s installations, sculptures and works on paper filter perception through the lens of nature, history, literature and personal experience. “Contrary to what one might expect,” writes Susan Cross in the monograph for the artist’s 2007 solo exhibition What Time Is It On the Sun? at MASS MoCA, “Finch’s efforts toward accuracy—the precise measurements he takes under different conditions and at different times of day—resist, in the end, a definitive result or single empirical truth about his subject. Instead, his dogged method reinforces the fleeting, temporal nature of the observed world, illustrating his own version of a theory of relativity.”
Important early commissions include Painting Air, an installation made for the artist’s 2012 survey at the RISD Museum of Art, in which more than 100 panels of suspended glass of varying reflectivity refract and distort an abstract mural inspired by the colors of Claude Monet’s garden at Giverny. Lunar (2011), commissioned by the Art Institute of Chicago, is a large sculpture that harnesses the power of the sun, gathering energy during the day and releasing that energy as a glow at the precise color temperature of a full moon. Perhaps most seen is The River That Flows Both Ways (2009), an installation on New York’s High Line in which an existing series of windows is transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day. “Like the ancient practitioners of the hermetic arts, who saw change as the most fundamental truth of the universe,” Cross continues, “the artist doesn’t always provide an answer in his investigations. For Finch art can do more: it can ‘ignite our capacity for wonder.’”
Spencer Finch was born in 1962 in New Haven, CT, and lives and works in Brooklyn, NY. He studied at the Rhode Island School of Design, Hamilton College, and Doshisha University in Kyoto, Japan, and has exhibited extensively in the US and internationally since the early 1990s. Recent major projects include A Cloud Index, a site-specific commission for the Elizabeth line station at Paddington in London (2022); Orion, permanently installed at the San Francisco Airport, CA (2020); Moon Dust (Apollo 17), Baltimore Museum of Art, MD (2019); Fifteen Stones (Ryoanji), an intervention in the International Pavilion at the Fundació Mies van der Rohe, Barcelona, Spain (2018); Lost Man Creek, his project with the Public Art Fund, Brooklyn, NY (2016-2018); Trying To Remember the Color of the Sky on That September Morning, a special commission for the 9/11 Memorial, New York, NY (2014); and A Certain Slant of Light, The Morgan Library and Museum, New York, NY (2014). Recent major solo shows include Hill Art Foundation, New York, NY (2022-2023); Utah Museum of Fine Arts, Salt Lake City, UT (2018-2019); MASS MoCA, North Adams, MA (2017); Norton Museum of Art, West Palm Beach, FL (2017); Seattle Museum of Art, WA (2017); Turner Contemporary, Margate, United Kingdom (2014). Finch was included in the 2004 Whitney Biennial, the 2008 Turin Triennale, and the 53rd Venice Biennale (2009). His work can be found in collections including the Hirshhorn Museum and Sculpture Garden, Washington, D.C.; High Museum of Art, Atlanta, GA; Los Angeles County Museum of Art, Los Angeles, CA; Morgan Library, New York, NY; Museum für Moderne Kunst, Frankfurt, Germany; Art Gallery of New South Wales, Australia; Kemper Museum of Art, St Louis, MO; Museum of Contemporary Art Chicago, IL; National Gallery of Art, Washington, D.C.; Solomon R. Guggenheim Museum, New York, NY; and the Whitney Museum of American Art, New York, NY, among several others. This email address is being protected from spambots. You need JavaScript enabled to view it.<  > https://www.spencerfinch.com
CITY :BROOKLYN NY  
COUNTRY :USA

    Spencer Finch  
Gallery Opening Hours : WED - SAT, 10-6 SUN, 12-6
Opening reception :Thursday, February 22 at 6-8 PM with artist presence

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COHAN JAMES, NEW YORK NY, U.S.A. - Spencer Finch : H20  - February 22 > March 30, 2024 @cohanjames