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BACK TO THE '80s From Arte Povera to the Rediscovery of Nuovi Nuovi
IERIMONTI GALLERY
24 West 57th Street, Suite 501-503 New York, NY 10019 |
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Friday, February 6 – Monday, March 16, 2015
 Giuseppe Maraniello Chiaroscuro bronzo cm 52x40x20 aperta 2006 |
 Michelangelo Pistoletto Panni 1981 silk-screen print on mirrored steel 120 x 100 cm edition of 60 |
Ierimonti Gallery opens its new location in New York presenting an overview of the extensive and
prolific Italian art panorama of the 1970s and the 1980s.While politics and economics underwent a
profound transformation and culture transitioned from progressive modernism to the
postmodernist weak thought, Italian art at the time elaborated old and new themes using the
most disparate materials. Artists shifted from using industrial materials such as iron, coal, wood
bundles, neon, mirrors, terracotta—common in Arte Povera (Mario Merz, Jannis Kounellis, Alighiero
Boetti, Pierpaolo Calzolari, Michelangelo Pistoletto, Emilio Prini)—to dismantling installations and
favoring paint and color—popular among Transavanguardia, Anacronisti and Nuovi Nuovi.
A new creativity flourished in those transitional years: the harsh ideology of the economic miracle
years and the 1968 protest gave way to reconnecting with the past.
The new generation of artists
after Arte Povera and Conceptualism rediscovered the value of painting, history and twodimensionality,
while maintaining an evolutionary vision of art. The world, explored through the
installations and actions of the 1960s and 1970s, dematerializes into the canvas with the birth of
Transavanguardia (Mimmo Paladino, Sandro Chia, Enzo Cucchi, Francesco Clemente, Nicola De
Maria) launched by Achille Bonito Oliva in the mid-1970s. In the same years a new group of artists
from different areas of the peninsula emerges, supported by Renato Barilli, Francesca Alinovi and
Roberto Daolio: the Nuovi Nuovi.
Today, Ierimonti Gallery rediscovers and revives this group, after
the success of their first exhibition at the Holly Solomon Gallery in New York in 1980. This
versatile group of artists draws an imaginary, intangible and symbolic portrait of the Italian
cultural context of those years. With an eclectic and retrospective attitude, the Nuovi Nuovi
embraced the idea of “different repetition” (Gilles Deleuze, Renato Barilli), or the repetition of
the past, retour à, and the value of quotations. The ideological and conceptual lightning leads
artists like Luigi Ontani, Bruno Benuzzi, Felice Levini, and Salvo to self-figurative, colorful and
ironic forms. An empirical chromaticism replaces the political black and white, with Luciano
Bartolini’s poetic, initiatory and contemplative visions, Giuseppe Maraniello’s and Luigi Mainolfi’s
material dexterity, Aldo Spoldi’s post- pop irony, and Antonio Michelangelo Faggiano’s retrieval of
erudite and mythological images.
With “Back to the 80’s. From Arte Povera to the Rediscovery of Nuovi Nuovi,” Ierimonti Gallery
aims to explore a movement rich in expressive potential and not yet inflated from the market,
and to reconstruct its historical context and grammar.
 Faggiano Il peccato della sposa 1996 tecnica mista su tela 100 x 100 cm |
 Bruno Benuzzi, Musica per Camaleonti, 2007, mixed media on wood, 23.2 x 23.2 inc. (50 x 50 cm) |
 Salvo untitled 2006 oil on canvas 80 x 160 cm |
 Mario Merz, untitled 1976 mixed media on paper 50 x 70 cm |
LUCIANO BARTOLINI| BRUNO BENUZZI | ALIGHIERO BOETTI | PIERPAOLO CALZOLARI | SANDRO CHIA | FRANCESCO CLEMENTE | |
NICOLA DE MARIA| JANNIS KOUNELLIS | FELICE LEVINI | LUIGI MAINOLFI | GIUSEPPE MARANIELLO | MARIO MERZ | |
MICHELANGELO PISTOLETTO| EMILIO PRINI | SALVO | ALDO SPOLDI | ENZO CUCCHI | MIMMO PALADINO | |
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