Paintings
Daniele Galliano

FEDERICO RUI ARTE CONTEMPORANEA
via Filippo Turati, 38 cortile interno 20121 Milano
t. [+39] 392 49 28 569 t. [+39] 339 78 97 989 e-mail:
March 6 > April 24, 2024




Federico Rui Arte Contemporanea is pleased to present Daniele Galliano's solo exhibition entitled "Paintings", which presents twelve recent works. The exhibition opens on Wednesday 6 March and will be open to visitors until 24 April 2024, from Tuesday to Friday from 3pm to 7pm (and by appointment).
The exhibition follows the great success of the project presented at ArteFiera Bologna "It's All Over Now, Baby Blue", a title inspired by the famous Bob Dylan song written in 1965, which underlines the inevitability of change and the need to hold on to the important things of life. One line of the song describes an "empty-handed painter" who draws seemingly random sketches, symbolizing the unpredictability of nature and suggesting ("You must leave now, take what you need you think will last") to grab things quickly important before they slip away. This sensation of speed that the artist perceives in human existence is also found in the instinctive brushstrokes that vibrate on his canvases, like rhythmic gestures that recall the commands of an orchestra conductor, releasing lively touches of color. The dense and blurry painting emerges from a background, from which the artist begins to paint and then expands through various chromatic gradations that overlap, changing and mixing the color, invading the space of the canvas, with a tension that almost reaches the outside of its physical edges, invading the surrounding space. Daniele Galliano's painting has always explored the intimate sphere and collective life, made up of rituals, raves, processions. The protagonist is the crowd, not conceived as a uniform mass, but as individuals who choose to share collective experiences.
If in the Bolognese exhibition the artist's attention was focused on groups of people, with this exhibition Galliano finds in the landscape a new physical and spiritual dimension to deal with, thanks to those places that lead him to discover a sense of serenity and of illusion that this can exist, thanks to those landscapes in which it is possible to find comfort. As in "Untitled", a view of a snowy landscape where the only presence of man is evidenced by a refuge in the distance, at the same time a goal to be achieved and a symbol of inner peace. In these landscapes the artist almost reaches abstraction, thanks also to his gestural brushstrokes, contrasting the physicality of a place with the idealization of it. Different visions are thus created: up close the work appears abstract, but from a distance it manifests itself in its reality. This is not just a formal choice, but a statement that suggests that a distant view of the world can offer a clearer perception. Galliano claims that an empathetic look towards what surrounds us is the best way to connect the inner universe with the external world. The exhibition is therefore an invitation to rediscover and seek those places to which you can travel mentally or physically, to find inner calm, no matter whether they are real or unreal places. The culmination of abstraction is reached with "Do you remember", where the sequence of images is erased, as if it were a storyboard of which the rhythm of a sequence remains but not its content.
The exhibition follows the great success of the project presented at ArteFiera Bologna "It's All Over Now, Baby Blue", a title inspired by the famous Bob Dylan song written in 1965, which underlines the inevitability of change and the need to hold on to the important things of life. One line of the song describes an "empty-handed painter" who draws seemingly random sketches, symbolizing the unpredictability of nature and suggesting ("You must leave now, take what you need you think will last") to grab things quickly important before they slip away. This sensation of speed that the artist perceives in human existence is also found in the instinctive brushstrokes that vibrate on his canvases, like rhythmic gestures that recall the commands of an orchestra conductor, releasing lively touches of color. The dense and blurry painting emerges from a background, from which the artist begins to paint and then expands through various chromatic gradations that overlap, changing and mixing the color, invading the space of the canvas, with a tension that almost reaches the outside of its physical edges, invading the surrounding space. Daniele Galliano's painting has always explored the intimate sphere and collective life, made up of rituals, raves, processions. The protagonist is the crowd, not conceived as a uniform mass, but as individuals who choose to share collective experiences.
If in the Bolognese exhibition the artist's attention was focused on groups of people, with this exhibition Galliano finds in the landscape a new physical and spiritual dimension to deal with, thanks to those places that lead him to discover a sense of serenity and of illusion that this can exist, thanks to those landscapes in which it is possible to find comfort. As in "Untitled", a view of a snowy landscape where the only presence of man is evidenced by a refuge in the distance, at the same time a goal to be achieved and a symbol of inner peace. In these landscapes the artist almost reaches abstraction, thanks also to his gestural brushstrokes, contrasting the physicality of a place with the idealization of it. Different visions are thus created: up close the work appears abstract, but from a distance it manifests itself in its reality. This is not just a formal choice, but a statement that suggests that a distant view of the world can offer a clearer perception. Galliano claims that an empathetic look towards what surrounds us is the best way to connect the inner universe with the external world. The exhibition is therefore an invitation to rediscover and seek those places to which you can travel mentally or physically, to find inner calm, no matter whether they are real or unreal places. The culmination of abstraction is reached with "Do you remember", where the sequence of images is erased, as if it were a storyboard of which the rhythm of a sequence remains but not its content.
ABOUT ARTIST : Daniele Galliano
Born in Pinerolo in 1961, self-taught, he began painting in Turin in the early 90s, soon earning a leading place in the new painting scene. With his "photographic realism" he exhibits in important personal and collective exhibitions all over the world. In 2006 he participated in the IX Havana Biennial at the invitation of Antonio Zaia, in 2009 at the 53rd Venice Biennale and in 2016 at the third edition of the Kochi-Muziris Biennale of Kerala in India. Among the numerous solo exhibitions we remember those in 1996 and 1997 at the Annina Nosei Gallery (New York), in 1992 and 1994 at the InArco gallery (Turin) and in 1996 at the National Gallery of Modern Art (Rome). Among the collective exhibitions we highlight the Gallery of Modern Art in Bologna, the XII Quadrennial in Rome, the Galleria Civica in Trento, the Rupertinum Museum in Salzburg, the Magasin in Grenoble and the Palazzo delle Papesse in Siena. His works are present in some of the major public and private collections, such as the GAM - Galleria Civica d'arte Moderna e Contemporanea of Turin, the Galleria Nazionale d'Arte Moderna of Rome, the MART of Trento and Rovereto, the Museo del Novecento of Milan, the Unicredit Private Banking Collection of Milan, Cerruti Collection (Turin), Francesca Lavazza Collection (Turin), Carlo Monzino Collection (Milan), Dutch Pieter & Marieke (Holland) and Robert & Annemijn Crince Le Roy (Holland).
https://www.danielegalliano.com/
CITY :TURIN TO
COUNTRY :ITALY


Gallery Opening Hours : Tuesday to Friday 15-19 Saturday by appointment
Opening during exhibitionWednesday 6 March | 6.30pm - 9.00pm
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