NEW YORK –– An exhibition of works by Hans Haacke from 1975–1985 examines the deeply intertwined networks of politics, capital, and corporate sponsorship in the art world. With a profound commitment to social issues and razor-sharp wit, Haacke critiques bankers, brokers, advertising moguls and fossil fuel industry executives, each of whom have sought to offset contentious financial gains via strategic investment in art institutions. This will be the first Haacke exhibition in New York since his retrospective at the New Museum in 2019-2020, and will include works from the distinguished collection of Gilbert and Lila Silverman, Detroit.