Everything in Equal Measure
Machiko Edmondson
UNIX Gallery |
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Phone: 212-209-1572 Fax: 212-706-3008 e-mail:
March 3 > April 2, 2016
![]() Ellipsis, oil on canvas, 71 x 71 in l 180 x 180 cm, 2016 |
![]() Moonage Daydream, oil on canvas, 42 x 42 in l 107 x 107 cm, 2016 |
![]() Cadence, 2015 Oil on canvas 72 x 72 in 180 x 180 cm |
UNIX Gallery proudly presents Everything in Equal Measure by artist Machiko Edmondson, a study of paintings that examines the hyperreal anomalous “anti-portraits,” questioning relationships between reality and symbols in our postmodern society. Featuring new oil works inspired by the philosophical principles of Jean Baudrillard, gender and beauty, and simulating the real, Everything In Equal Measure marks the artist’s first solo exhibition at UNIX Gallery. On view from March 3 - April 2, 2016, an opening reception will be held at the Chelsea gallery, 532 West 24th Street, on Thursday, March 3, 2016 from 6 - 8 PM.
Machiko Edmondson refers to her practice as a representation of painting rather than as being representational. Despite the overt use of faces as her image source, she regards her work as neither figurative paintings or as portraits of people. Employing the momentary seduction of fashion photography to lure the viewer into the world of idealized beauty, her paintings mimic the styles and codes of the desire industry to question the value and obsessions of aspirational perfection.
“I’m drawn to things that posses paradoxical qualities. Things that pull you in opposite directions, yet somehow maintaining the balance somewhat precariously: serene yet perilous; solemn yet whimsical; poised yet anxious; precious yet trashy...” says Edmondson, whose intense canvases lure their viewer into an otherworldly plane. These captivating faces with enchanting eyes evoke both beauty and an uncanny sense of encountering what lies beyond the veil.
Machiko Edmondson refers to her practice as a representation of painting rather than as being representational. Despite the overt use of faces as her image source, she regards her work as neither figurative paintings or as portraits of people. Employing the momentary seduction of fashion photography to lure the viewer into the world of idealized beauty, her paintings mimic the styles and codes of the desire industry to question the value and obsessions of aspirational perfection.
“I’m drawn to things that posses paradoxical qualities. Things that pull you in opposite directions, yet somehow maintaining the balance somewhat precariously: serene yet perilous; solemn yet whimsical; poised yet anxious; precious yet trashy...” says Edmondson, whose intense canvases lure their viewer into an otherworldly plane. These captivating faces with enchanting eyes evoke both beauty and an uncanny sense of encountering what lies beyond the veil.




Open to the public :
Thursday, March 3 from 6 to 8 pm