In the Ashes of History, which on a display in the Nicholas Hall, the biggest Hall of the Winter Palace, presents several series of works made in a variety of techniques. It contains more than 30 works of art, many of them painted by artist and features his impressions received from his initial visit to St Petersburg, Russia. An additional part of the project are two works from Love – a new series created in response to the events of the pandemic.
Prof. Mikhail Piotrovsky the General Director of the State Hermitage Museum, remarks: «Zhang Huan is a product of the Soviet-Chinese academic tradition, a master of punishing performance works that took America by storm, a Buddhist who has come to know the true meaning of his faith through the fire and ash of sweet-scented incense. He is an enchanting and emotionally subtle artist who is able to mobilize large numbers of people for a theatrical performance and for the production of vast sculptures. He is someone who is consciously open to several cultures, and feels at home within them while always remaining touchingly mindful of his roots».
Zhang Huan is a contemporary Chinese artist who first came to prominence with a series of controversial performances in China and the USA. In the mid-2000s the artist began to focus on paintings made in a unique way – most of his large-scale works made with incense ash from Buddhist temples. One of these is a forty-metre group portrait of the communist party of the People’s Republic of China that will fill almost the entire length of the Nicholas Hall. The exhibition will also include other works of unusual technique: a combination of photographs and wood carving. Several of the wood bas-reliefs based on motifs from paintings in the Hermitage collection. The final group of works in the forthcoming exhibition is the recent Red series that signifies a change in Zhang Huan’s creative path – back to the technique of painting. The first works in the series come under the title Reincarnation (eight specially selected paintings. The two works called Love will also be on display in the Nicholas Hall; they made during the lockdown period as a distillation of the artist’s personal experience of the situation in China and the world, and a way of preserving the memory of those who have died in the pandemic.
Zhang Huan graduated from the Henan Academy of Fine Arts in Kaifeng (1988). In these early years, he greatly influenced by the paintings of Rembrandt van Rijn and Jean-François Millet. Five years later, in 1993, Zhang Huan graduated with an MA from the Central Academy of Fine Arts in Beijing and around this time started creating performance works, which tested his physical and mental endurance. He continued to produce paintings, too, also mastered the art of photography and sculpture. His time spent living and working in America, from 1998 to 2005, was hugely influential for him. As an artist, Zhang Huan well known throughout the world. He lives and works in Shanghai and New York, combining western artistic techniques in his work with concepts traditionally associated with Chinese culture.
The artist often touches on questions of religion, family, politics, culture, poverty and famine. Zhang Huan seeks to give renewed resonance to modernist techniques of abstraction and minimalism, encompassing them within the parameters of Buddhism and Chinese culture, which allows him to retain his identity as a Chinese artist. He often uses a large range of materials and tools in the creation of his work and this maybe explains the sense of synthesis, even decorativeness that we can found in his art.
The exhibition Zhang Huan: In the Ashes of History is organized by The State Hermitage Museum in a frame of the Hermitage 20/21 project with the support of Pearl Lam Galleries, China Art Foundation, DC Foundation – Diana Chen, Dr Junning Lee and Mrs Xiaojun Lee, Asymmetry Art Foundation, and Julian Zhen.
The exhibition curators are Dr. Dmitry Ozerkov, Head of Contemporary Art Department of the State Hermitage Museum, and Anastasia Veyalko, Junior Researcher of that Department. The guest curator is Prof. Wu Hung of Chicago University, USA.
An illustrated academic catalogue accompanies the exhibition (both in English and in Russian). It contains an introduction by Prof. Mikhail Piotrovsky, the General Director of the State Hermitage Museum, and essays by the curators.
The additional educational program will accompanied by the Youth Educational Centre of the State Hermitage Museum. It contains lectures, meetings with the artist and curators, master classes and discussions.
Zhang Huan
Zhang Huan was born in 1965 in the Chinese city of Anyang in Henan province. He came to prominence with a series of controversial performances in China and the USA. He creates paintings in a unique way: most of his large-scale works made with incense ash from Buddhist temples. The artist often touches on questions of religion, family, politics, culture, poverty and famine. Zhang Huan seeks to give renewed resonance to modernist techniques of abstraction and minimalism, encompassing them within the parameters of Buddhism and Chinese culture, which allows him to retain his identity as a Chinese artist. The artist’s work are in major collections around the world – the Museum of Modern Art, the Guggenheim Museum and the Metropolitan Museum in New York, the Centre Pompidou and Louis Vuitton Foundation in Paris, the Philadelphia and San Diego Museums of Art, and the Harvard Art Museums. Recent works been exhibited in art galleries and museums in Italy, Australia, America, Austria, Germany, Switzerland, UK and many other countries. Zhang Huan lives and works in Shanghai and New York.

mpefm RUSSIA art press release