Cindy Sherman
presented by the gallery :

METRO PICTURES
519 West 24th Street New York, NY 10011
T 212 206 7100 e-mail:

City Gallery
Civic Square 101 Wakefield St Wellington New Zealand
04 913 9032 email :
November 19, 2016 > March 19, 2017
![]() "Untitled #470," 2008. Chromogenic color print, 90 1/2 x 63 1/2 inches (229.9 x 161.3 cm). |
![]() Untitled #466 2008. Image courtesy The artist and Metro Pictures, New York © The artist. |
![]() Untitled #512 2010-1. Image courtesy The artist and Metro Pictures, New York © The artist. |
![]() Untitled #548 2010-12. Image courtesy the artist and Metro Pictures, New York © The artist. |
None of the characters are me. They’re everything but me.
- Cindy Sherman
She’s good enough to be a real actress.
- Andy Warhol
Cindy Sherman has changed the face of contemporary art, by constantly manipulating her own image. For over forty years, the New York-based artist has used herself as her own model in staged photographs, transforming her appearance through make-up, costumes, wigs, prostheses, and more recently, digital effects.
Her chameleon-like transformations offer a sustained, cutting and at times disturbing investigation of gender, social conditioning, narcissism and celebrity culture. These photographs have made Sherman one of the most influential artists living today. She is as important to art history as she is to pop culture. Sherman has transformed how we think about photography, especially its role in shaping personal and collective identities.
Cindy Sherman is a major exhibition of Sherman’s photography since 2000, the moment where she returned to photographing herself after a decade of wilful absenteeism from her own work. It features seven major series where Sherman investigates a range of new and troublesome ‘types’ (socialites, fashion victims, clowns), and includes her collaborations with fashion houses Balenciaga and Chanel. The exhibition showcases Sherman’s embrace of digital technologies to alter the ways she makes and presents her images. A mammoth, multi-character photographic mural wrapping around City Gallery’s spaces exemplifies the range of new and disarming experiences offered by Sherman’s twenty-first century work.
- Cindy Sherman
She’s good enough to be a real actress.
- Andy Warhol
Cindy Sherman has changed the face of contemporary art, by constantly manipulating her own image. For over forty years, the New York-based artist has used herself as her own model in staged photographs, transforming her appearance through make-up, costumes, wigs, prostheses, and more recently, digital effects.
Her chameleon-like transformations offer a sustained, cutting and at times disturbing investigation of gender, social conditioning, narcissism and celebrity culture. These photographs have made Sherman one of the most influential artists living today. She is as important to art history as she is to pop culture. Sherman has transformed how we think about photography, especially its role in shaping personal and collective identities.
Cindy Sherman is a major exhibition of Sherman’s photography since 2000, the moment where she returned to photographing herself after a decade of wilful absenteeism from her own work. It features seven major series where Sherman investigates a range of new and troublesome ‘types’ (socialites, fashion victims, clowns), and includes her collaborations with fashion houses Balenciaga and Chanel. The exhibition showcases Sherman’s embrace of digital technologies to alter the ways she makes and presents her images. A mammoth, multi-character photographic mural wrapping around City Gallery’s spaces exemplifies the range of new and disarming experiences offered by Sherman’s twenty-first century work.



Opening :
Saturday 19 10am
5-8pm
mpefm
NEW ZEALAND art press release
ENTRY: $12
CONCESSION:$8
12 YEARS AND UNDER: FREE
CITY GALLERY FRIENDS: FREE
Skip the ticket queues, book online now.
Hours:
10am — 5pm every day
Tickets10am — 5pm every day
ENTRY: $12
CONCESSION:$8
12 YEARS AND UNDER: FREE
CITY GALLERY FRIENDS: FREE
Skip the ticket queues, book online now.
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