"Schwierige Bilder"
Michael Müller
curator Philipp Bollmann
presented by gallery :
Galerie du Monde
108 Ruttonjee Centre, 11 Duddell Street, Central, Hong Kong
Tel: +852 2525 0529 Fax: +852 2525 4959 fineart@galeriedumonde @wemhoner.com
Sammlung Wemhöner
Hasenheide 13, 10967 Berlin, Germany
Tel: +4916094750468
30 April > 1 July, 2021
Michael Müller - Difficult Pictures
For the first time, the exhibition "Michael Müller - Difficult Pictures" at Hasenheide 13 focuses exclusively on the artist's painterly work.
The focus of the exhibition is the seven-part, large-format series "Difficult Pictures" in which Müller explores the possibilities of abstraction in the twenty-first century and at the same time processes different tendencies in non-representational painting of the past century.
The works are diptychs, but they consist of two wings of different lengths.
On one of the two wings, Müller begins to develop his painting, which is then captured photographically in the next step - partly processed by Photoshop - and printed on the other, still empty canvas. Both the photographic base and the original are painted on, so that the almost identical parts of the image remain largely hidden from the recipient.
Larissa Kikol describes this procedure in the publication accompanying the exhibition as "anachronistic condensation of different timelines in the same visual moment", in which the painterly further processing "replaces the original as the first idea".
This page is translated using Google translation. Please note that the content may not be 100% accurate.
For the first time, the exhibition "Michael Müller - Difficult Pictures" at Hasenheide 13 focuses exclusively on the artist's painterly work.
The focus of the exhibition is the seven-part, large-format series "Difficult Pictures" in which Müller explores the possibilities of abstraction in the twenty-first century and at the same time processes different tendencies in non-representational painting of the past century.
The works are diptychs, but they consist of two wings of different lengths.
On one of the two wings, Müller begins to develop his painting, which is then captured photographically in the next step - partly processed by Photoshop - and printed on the other, still empty canvas. Both the photographic base and the original are painted on, so that the almost identical parts of the image remain largely hidden from the recipient.
Larissa Kikol describes this procedure in the publication accompanying the exhibition as "anachronistic condensation of different timelines in the same visual moment", in which the painterly further processing "replaces the original as the first idea".
This page is translated using Google translation. Please note that the content may not be 100% accurate.
 | Michael Müller |  |
mpefm GERMANY art press release
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Opening times: due to the current situation, visiting the exhibition is only possible after prior registration and taking into account the applicable requirements of the Berlin health department.
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Opening times: due to the current situation, visiting the exhibition is only possible after prior registration and taking into account the applicable requirements of the Berlin health department.
Please contact:
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