"NICE TO 'MEET YOU'" Christos Pantieras

GALLERY 101
51 B Young Street, Ottawa, ON, K1S 3H6
t 613.230.2799 e-mail:
October 1 > 29, 2016
![]() Tread Lightly, Sourced text message, letters cast in concrete (detail) 2015 |
![]() I Keep Coming Back to You Sourced emails typed on carbon paper (detail) 2015 |
![]() NICE TO "MEET" YOU, Installation shot/vue de l'installation, G101 2016 |
Words today are infinitely produced. Words are detritus. Words are additive as they pile up. Words are recycled, re-purposed, and reclaimed. Words are both physical and material that can be inserted into the environment and engaged. Words are temporary, reshaped, shoveled, hoarded, molded, and discarded quickly. Words are treated by their material qualities as what they weigh has gained value over what they mean. (Goldsmith, Kenneth. Uncreative Writing: Managing Language in the Digital Age. New York: Columbia University Press, 2011.)
The works in NICE TO "MEET" YOU take on such qualities as described by Goldsmith in the use of language as a material. The exhibition explores how we connect and communicate through social media and online platforms in our bid to initiate, achieve, and/or maintain an intimate connection. Digital words indicating intent are sourced from both text messages and hook-up apps (i.e. Scruff, Grindr, and GROWLr) and cast in concrete to then be sorted, stacked, arranged, and piled in three sculptural installations. A series of emails composed in regret are impressed, torn, and documented as both works on paper and large-scale photography. When an online connection is halted, what is the ongoing story that these messaging platforms don’t tell? Is it ever truly over? What resonates as a lingering relational fragment?
The works in NICE TO "MEET" YOU take on such qualities as described by Goldsmith in the use of language as a material. The exhibition explores how we connect and communicate through social media and online platforms in our bid to initiate, achieve, and/or maintain an intimate connection. Digital words indicating intent are sourced from both text messages and hook-up apps (i.e. Scruff, Grindr, and GROWLr) and cast in concrete to then be sorted, stacked, arranged, and piled in three sculptural installations. A series of emails composed in regret are impressed, torn, and documented as both works on paper and large-scale photography. When an online connection is halted, what is the ongoing story that these messaging platforms don’t tell? Is it ever truly over? What resonates as a lingering relational fragment?


Opening Reception:
Saturday October 1, 5-8pm
Artist Talk October 22, 2 -4pm
Artist Talk October 22, 2 -4pm
mpefm
CANADA art press release
Gallery hours:
Tuesday to Saturday, 10 am to 17 pm
Gallery 101 gratefully acknowledges the City of Ottawa, the Ontario Arts Council (an agency of the Government of Ontario) and the Canada Council for the Arts.
Gallery 101 thanks the Asinabka Festival, our members, volunteers, partners, and all our relations.
Download the QR code on this page and enter in your site, social networks or email
Gallery 101 gratefully acknowledges the City of Ottawa, the Ontario Arts Council (an agency of the Government of Ontario) and the Canada Council for the Arts.
Gallery 101 thanks the Asinabka Festival, our members, volunteers, partners, and all our relations.
